Variations on Vruechten

Handbell Arrangement

Handbell Arrangement

Sheet music cover for "Variations on Vruechten." The cover shows a cartoon handbell with a few music notes.

Engaging stylistic variations and a majestic ending in this Easter Song.

Details

Bell Count Handbell Ensemble

Handbell Level Level 3

Handbell Octaves 3-6 Octaves

Handbell Technique LV (Let vibrate / laissez vibrer)Mal. (Mallet)Mallet liftMartellato (Mart.)Ring touch (RT)Shake (Sk)Sw (Swing)TD (Thumb damp)

Year 2021

Publisher From the Top Music

Use Easter

Description

Originally a Dutch folk tune, VRUECHTEN became a hymn tune in Joachim Oudaen’s David’s Psalmen (1685), with words and harmonization published in 1894 in Carols for Eastertide and Ascensiontide. The melody and meter are engaging and the arrangement features several stylistic variations – including a playful, dance-like section, a waltz, and a “con fuoco” section featuring the melody in the bass – all leading to a majestic ending. Perfectly placed stopped techniques complement each of these variations. This is a delightful arrangement suitable for worship any time of year, but especially during Eastertide.

Sheet music cover for "Variations on Vruechten." The cover shows a cartoon handbell with a few music notes.

Engaging stylistic variations and a majestic ending in this Easter Song.

Details

Bell Count Handbell Ensemble

Handbell Level Level 3

Handbell Octaves 3-6 Octaves

Handbell Technique LV (Let vibrate / laissez vibrer)Mal. (Mallet)Mallet liftMartellato (Mart.)Ring touch (RT)Shake (Sk)Sw (Swing)TD (Thumb damp)

Year 2021

Publisher From the Top Music

Use Easter

Description

Originally a Dutch folk tune, VRUECHTEN became a hymn tune in Joachim Oudaen’s David’s Psalmen (1685), with words and harmonization published in 1894 in Carols for Eastertide and Ascensiontide. The melody and meter are engaging and the arrangement features several stylistic variations – including a playful, dance-like section, a waltz, and a “con fuoco” section featuring the melody in the bass – all leading to a majestic ending. Perfectly placed stopped techniques complement each of these variations. This is a delightful arrangement suitable for worship any time of year, but especially during Eastertide.